{"id":6061,"date":"2026-08-07T19:03:46","date_gmt":"2026-08-07T19:03:46","guid":{"rendered":"https:\/\/sequentialscholars.com\/?page_id=6061"},"modified":"2026-08-07T19:17:39","modified_gmt":"2026-08-07T19:17:39","slug":"margaret-galvans-in-visible-archives","status":"publish","type":"page","link":"https:\/\/sequentialscholars.com\/?page_id=6061","title":{"rendered":"Margaret Galvan\u2019s\u00a0In Visible Archives"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; width=&#8221;98.6%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-62px|auto||auto||&#8221; custom_padding=&#8221;||50px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1><span>Margaret Galvan\u2019s\u00a0<em>In Visible Archives<\/em><\/span><\/h1>\n<p>[\/et_pb_text][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible1.png&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||10px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Margaret Galvan\u2019s \u201cIn Visible Archives: Queer and Visual Culture in the 1980s\u201d presents a comics revisitation project that testifies to the fundamental importance of archival preservation by showing how \u2018unimportant\u2019 works can become deeply important decades later. #comicsstudies 1\/10<\/span><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible2.webp&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div class=\"css-1dbjc4n\">\n<div class=\"css-1dbjc4n r-1s2bzr4\">\n<div dir=\"auto\" class=\"css-901oao r-18jsvk2 r-37j5jr r-1blvdjr r-16dba41 r-vrz42v r-bcqeeo r-bnwqim r-qvutc0\" id=\"id__6r1mtdsqegw\" data-testid=\"tweetText\" lang=\"en\">\n<p><span style=\"font-weight: 400;\">Galvan opens by noting that \u201cAcross the 1980s, women in feminist and gay and lesbian movements in the United States celebrated their sexuality as one of the interlocking parts of their identity in response to constraining cultural phenomena\u201d 2\/10<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"css-1dbjc4n\">\n<div aria-labelledby=\"id__x3flc4ioje id__ihpbw6gucin\" class=\"css-1dbjc4n r-1ssbvtb r-1s2bzr4\" id=\"id__6beyarjbmcm\">\n<div class=\"css-1dbjc4n r-9aw3ui\">\n<div class=\"css-1dbjc4n\">\n<div class=\"css-1dbjc4n r-1ets6dv r-1867qdf r-1phboty r-rs99b7 r-1ny4l3l r-1udh08x r-o7ynqc r-6416eg\">\n<div class=\"css-1dbjc4n\">\n<div class=\"css-1dbjc4n\">\n<div class=\"css-1dbjc4n r-1adg3ll r-1udh08x\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible3.png&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div class=\"css-1dbjc4n\">\n<div class=\"css-1dbjc4n r-1s2bzr4\">\n<div dir=\"auto\" class=\"css-901oao r-18jsvk2 r-37j5jr r-1blvdjr r-16dba41 r-vrz42v r-bcqeeo r-bnwqim r-qvutc0\" id=\"id__6docpe76pnl\" data-testid=\"tweetText\" lang=\"en\">\n<p><span style=\"font-weight: 400;\">For Galvan, history has charted this celebration through \u201cessays, manifestos, and march chants\u201d whilst neglecting how \u201cwomen wielded images to theorize their embodied sexuality directly, and their art, created within grassroots networks, has been mostly forgotten.\u201d 3\/10<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible4.png&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div class=\"css-1dbjc4n\">\n<div class=\"css-1dbjc4n r-1s2bzr4\">\n<div dir=\"auto\" class=\"css-901oao r-18jsvk2 r-37j5jr r-1blvdjr r-16dba41 r-vrz42v r-bcqeeo r-bnwqim r-qvutc0\" id=\"id__0t0zt9nr2icj\" data-testid=\"tweetText\" lang=\"en\">\n<p><span style=\"font-weight: 400;\">In Galvan\u2019s scholarship, however, this erasure is a research opportunity that she seizes. \u201cWithin the past twenty years, newly processed collections within archives have begun to make these women\u2019s powerful visual contributions available once more.\u201d 4\/10<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible5.jpg&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">In her review of the book for INKS, Anna Peppard describes it as \u201can extremely careful, deliberate, and impeccably researched book, which admirably advances the field by making neglected texts newly visible\u201d 5\/10<\/span><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible6.jpeg&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Indeed, the underlying theme of the text is visibility. And while Galvan\u2019s work shows the importance of the scholar\u2019s role in shining a spotlight on key works, themes, and subjects, it also shows (and speaks to, quite directly) the importance of the archive for making future visibility possible. 6\/10<\/span><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible7.webp&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">A major theme is the politics of archiving &#8211; debates and conflicts that decide who gets to be preserved, and thus, who gets to be seen. As Galvan notes \u201cHow archivists have welcomed these women\u2019s artwork into collections has been vital in shaping their legacy.\u201d 7\/10<\/span><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible8.png&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Underlying all of Galvan\u2019s work is the broader concern for contextual shifts and how works that were \u201cunimportant\u201d in their time (in the eyes of a broader culture) became quite important in another or simply found new meaning or purchase. 8\/10<\/span><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible9.png&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Galvan ends her book with a staunch defense of archives and archivists: \u201cAfter all, what I\u2019ve encountered in the archives is there because of communities of individuals who valued, saved, and deposited it and the archivists who welcomed, cataloged, and made it accessible\u2026\u201d 9\/10<\/span><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb image=&#8221;https:\/\/sequentialscholars.com\/wp-content\/uploads\/2026\/08\/visible10.jpg&#8221; _builder_version=&#8221;4.23.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">\u201c\u2026this book is indebted to the creation of all those grassroots archives that welcomed and upheld difference and to all the folks who went to work within more established archives and began to imagine who and what to collect differently. Thank you.\u201d 10\/10<\/span><\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_button button_url=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjYwNzUifX0=@&#8221; button_text=&#8221;Read the Next Thread!&#8221; _builder_version=&#8221;4.23.4&#8243; _dynamic_attributes=&#8221;button_url&#8221; _module_preset=&#8221;default&#8221; filter_hue_rotate=&#8221;151deg&#8221; filter_saturate=&#8221;92%&#8221; filter_brightness=&#8221;95%&#8221; hover_enabled=&#8221;0&#8243; box_shadow_style=&#8221;preset4&#8243; box_shadow_color=&#8221;#0C71C3&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Margaret Galvan\u2019s\u00a0In Visible ArchivesMargaret Galvan\u2019s \u201cIn Visible Archives: Queer and Visual Culture in the 1980s\u201d presents a comics revisitation project that testifies to the fundamental importance of archival preservation by showing how \u2018unimportant\u2019 works can become deeply important decades later. #comicsstudies 1\/10 Galvan opens by noting that \u201cAcross the 1980s, women in feminist and gay [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6062,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-6061","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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